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The Light Brown Suit
      by
      
Harry Buschman
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

You can't know 
what it was like to walk through the streets of 
Brooklyn in the thirties with five dollars in your 
kick. I do. The world was my oyster, ready to be 
slurped down -- ready to be eaten raw.
Five dollars was a lot of money in those days. It 
was even a lot of money for people who had a lot of 
money; but for people who didn't have a dime, it 
was a fortune. 
This particular five dollars, now folded neatly in 
my worn leather wallet, was money earned, not found 
or stolen. My first literary paycheck. More than 
I'd earned as a temporary mailman or sweeping the 
sawdust out of Trunz's pork store. All because R. 
F. Eltinge wanted his research checked so he could 
write an editorial for the Brooklyn Leader. In 
those days staff editorialists were responsible for 
the spelling of names and places and the accuracy 
of their data. They paid nobodies like me to check 
and validate such things as the spelling of 
Mesopotamia, Luigi Pirandello and how many cubic 
feet of hydrogen gas could be found in the belly of 
the Hindenburg. His five dollars gave me the two 
beer conception that a newspaper writer must earn 
as good a living as a doctor. If Mr. Eltinge could 
throw money like that around, he must be a 
millionaire.
There were three of us in the Reference Department 
in the sub-basement of the  Brooklyn Leader. 
Other than the boiler room attendant, and the mice, 
we were the only living creatures down there. We 
were one stop below the lowest level reached by the 
elevator -- you had to go the last flight on foot. 
We searched every editorial and feature article for 
errors, particularly the errors that might lead the 
Leader to legal problems. Ernie Bushwick was the 
boss over Chick Weber and me. He gave me the least 
important things to do because Chick was recently 
married and scared to death of being fired -- 
therefore more dependable. I was a night student in 
Community College and Ernie took a dim view of 
college kids in the newspaper business. 
Ernie was a grouchy old bastard. He'd been in the 
reference business all his life and worked his way 
down from the Times, the Herald Tribune and the 
World Telegram all the way to the Brooklyn Leader. 
He spent more years in the damp basements of 
newspapers than any living man. It left him with 
rheumatism, and he was girdled with copper belts 
and wrist bands, he even wore a copper collar. So 
when R. F. Eltinge peeled a fin from his fat wallet 
and said to me, "Here kid, buy your mother a 
bouquet of flowers," Ernie Bushwick didn't like it 
at all.
When Eltinge left, Ernie cornered me. "You got no 
right t'be takin' money under the table. You're 
paid good money t'check his work."
"C'mon Ernie -- the man liked my work. It's like a 
bonus. Didn't anybody ever give you a bonus?" I 
knew that would rankle him even more. 
There was something else about that five dollars. 
It was small enough not to  require budgeting 
-- a little for this and a little for that, and 
something to put away for the future. It was an 
amount that could be blown away in one store, one 
restaurant, with the vague promise of another five 
dollars just around the corner. I might buy a book 
with it. I might buy a ticket to see John Gielgud 
in "Hamlet" -- I might even get myself laid. That 
was something I hadn't done yet. I knew exactly how 
much it cost and where to go, but I never had the 
money to do it. Common sense prevailed, however. I 
bought two shirts and a tie to compliment the 
recycled suit my father gave me.
The suit is what this story is all about.
My father gave me his old light brown suit. He 
hadn't only grown out of it, but he couldn't 
foresee any future occasion in which he might 
appear in such a suit.
"Here," Pop said, "I was gonna throw this away -- I 
tried to give it to your uncle Fred but he didn't 
want it .... you want it?"
"Can I try it on first?"
"Well if y'gonna be picky .... " 
"I just want to see if it fits, that's all."
"If it doesn't fit, take it over to Max's -- he 
owes me." Max was a Thursday night poker buddy of 
my father's, he owned a dry cleaners on Nostrand 
Avenue, but the biggest part of his business was 
retrofit. We were in the depths of the Great 
Depression and clothes were passed down from mother 
to daughter and father to son -- never thrown away. 
My father's flamboyant boasting about throwing the 
suit away was a lie -- another way of acknowledging 
that his only son needed something decent to wear, 
and he didn't have the money to buy him a new suit.
Well, of course it didn't fit -- and even if it had 
fit, it was the color and style of an era long 
gone. I had seen faded yellow snapshots of my 
father wearing this same suit as he pushed me 
through the streets of Flatbush in a perambulator.
Max made it fit. Max could make anything fit. He 
often said, "If it's too big I can make it fit. If 
it's too small, we got a problem. The whole thing 
is, you gotta have enough material to make it fit 
-- kapeesh?" When he was done, I tried it on for my 
father.
"Looks better on you than it ever did on me." He 
disappeared into the bedroom and returned with a 
white straw hat with a floppy brim similar to those 
worn by southern planters. "Here," he said. "Try 
this on." It settled a little low on my ears. 
"That's easy," my father said, "a little rolled up 
paper in the hat band'll make it sit up a little 
higher." He sighed. "Kids these days -- they don't 
know how good they got it. I didn't have a suit 
'til after I was married."
With my new suit and hat, I decided to invest the 
five dollars in two shirts and a tie. Near Max's 
tailor shop I found a haberdasher in a perennial 
state of bankruptcy. He sold me two shirts and a 
gold silk necktie. "I am squeezing, (he pronounced 
it "skveezing) myself," he confessed, "nowhere in 
Brooklyn will you find merchandise like this at 
such ridiculous prices!"
I had to agree. The shirts were the latest thing. 
Both were white, one with red stripes and one with 
blue, each sported two detachable white collars, 
which meant that the shirts could be worn almost 
indefinitely before laundering. The tie was pre 
knotted and could be clipped to the collar of the 
shirt. With the black suede shoes I had rarely worn 
because of their perishable nature, I thought I cut 
quite a figure.
I studied my figure carefully in the full length 
mirror in my parent's bedroom. Nothing seemed to 
clash, the entire ensemble signified gentle 
breeding and a quiet, yet not too humble suggestion 
of a man with considerable literary gifts.
In the middle of the Great Depression, a part time 
English Lit. sophomore of nineteen, dressed vaguely 
in the style of a southern plantation owner could 
not expect to walk through the streets of Brooklyn 
unchallenged. It was not enough to have to watch 
the sky for threats of rain and circling pigeons, 
but I had to endure the wise ass remarks of my 
friends as well as the bullies and hoodlums who lay 
in wait for me. My sense of well-being was 
constantly on edge, and I found myself checking my 
appearance in store front windows to assure myself 
that nothing had come undone.
Why did I put up with it? I'll tell you.
The five dollars had kindled a fire under me. My 
mounting ambition had sharpened my awareness to my 
low estate as an ignorant sophomore and an
apprentice in the Reference Department. On the 
horizon I could visualize,
like some distant El Dorado, the Editorial Room of 
the Brooklyn Leader. The
plan was to wear my elegant attire during the day, 
then run home to change
into my corduroy pants and moth eaten sweater 
before heading off to school. I
was sure the suit would get me out of the 
sub-basement boiler room and into
the Editorial Department upstairs.
Clothes would make the man -- image was everything. 
I would rush to the
phone whenever it rang, expecting it to be someone 
wanting me upstairs. Down
in the sub-basement, Ernie Bushwick and Chick Weber 
were dressed like tramps.
Ernie, with his copper bracelets and collars, wore 
a black turtle neck
sweater, gray suede gloves to keep his hands warm, 
and a green visor low over
his eyes. Chick, recently married and in constant 
fear of being fired, never
took his overcoat off or his woolen watch cap 
either .... he was ready to
leave at a moment's notice. I, however, looked as 
though I had just blown in
from a party at Jay Gatsby's.
I waited in vain. Weeks went by, enough time to 
actually require the
laundering of both new shirts. Ernie would shake 
his head, and Chick, (who
went along with anything Ernie did) would shake his 
head also when I
frantically dashed for the phone -- but every time 
I was forced to mumble,
"Here, it's for you, Ernie." In the morning, I 
would linger in the lobby 'til
the last moment before taking the stairs down to 
the sub-basement. At night I
would be the first one out of the Reference 
Department -- up the stairs two
at a time to the lobby again. There I'd tip my hat 
smartly to those on their
way home. The girls would giggle at me and the men 
would look the other way.
What had gone wrong? Was it the shoes, the hat 
perhaps? Certainly not the
light brown suit and the striped shirts. I let a 
month go by and reluctantly
paused to reconsider my game plan. Before setting 
off for school one evening,
I checked myself in the full length bedroom mirror 
just to see if anything
had changed, then I decided to go back and see Max. 
Max did his tailoring in
the evenings after he got through with the dry 
cleaning.
I didn't bother to knock, I pushed my way in to his 
shop, and the little bell
above the front door seemed to chime a plaintive 
note. 
"Max, I got a problem."
He looked at me sharply, "You vouldn't be kiddin' 
me? It's a holiday mit you,
is it? You dressed up f'somethin'?" He was sitting 
cross-legged on the floor
with a wedding dress in his lap. "You'll pardon me 
for saying .... "
"It's an every day, Max -- that's why I'm here. 
This is how I show up at the
paper every morning -- The Leader, y'know?"
"This is a paper? I read the Jewish Daily."
"Well, I thought the suit and the hat, and the 
shirts .... I thought they
would give me a leg up on the competition. But they 
haven't done that, Max.
People ignore me."
"I guess vat it must be, is that you look like 
somethin' you ain't. You know
kid, I been now twelve years in your country and 
vun thing I notice, no?
Nobody vants to look like vat they are." He held up 
the wedding dress. "For
instance," he waved the dress like a flag in front 
of me. "For vun day only
Manny Esposito's daughter vill look like a bride -- 
a month from now -- vun
month only, she vill be dressed like a scrub woman 
with her hair tied up in a
rag. It's life, kid. Life is a costume party."
He got up slowly from the floor and arched his back 
with a groan. "Vere I
come from. Ach! I could tell you things. There are 
two kinds. Everybody looks like vat you call here, 
the hobo, no? Either the hobo or the soldier, dot'z
all -- nothing is in between."
"C'mon, Max! Nobody wears a suit?"
"The Rabbi, yes .... he vill vear a suit. But even 
the Chancellor vears a
uniform. But here everybody puts on a costume. Look 
at you." He tilted his
head sideways and considered me. "You are .... let 
me guess, Ja -- you are
the pitch man for a traveling carnival of Gypsies! 
For the sake of
perfection, may I suggest a mustache?"
Max was nothing if not honest. I went home again 
and dressed for school and I  
checked myself out in the mirror once more. Damned 
if he wasn't right! I
looked far more like myself in my old corduroys and 
the moth eaten sweater
than I did in the light brown suit. I stepped out 
into the chilly night with
far more assurance in myself than I had in a month.
I had only one regret -- the misspent five dollars. 
I could have gone to see
John Gielgud, or maybe even -- well you know, 
gotten laid.

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